When you don’t take no for an answer
June 22, 2010I’m supposed to be officially on hiatus for the summer, but I had a half-finished post in the works, which fits nicely between two guest posts, so here I am, breaking curfew.
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I spent the afternoon with a painter friend recently. We talked about her work, about our time in art school (same university, different years), about teaching and drawing, and what it means to be an artist.
We even talked a little about business. But not much.
Not much business talk was necessary. She does great work, and she knows what she needs to do to build her career. How, when, and if she does it is up to her.
You have those same choices.
All that freedom can hang you up sometimes.
Business isn’t complicated
We convince ourselves business is complicated. It may not always be easy, but it’s not complicated.
We make it that way with the things we tell ourselves.
Think about it: you need to send a promotional package to an out of town shop, gallery or client. The package is done; all that’s required is to write a short introduction letter, tuck everything in an envelope, address it, put a stamp on it and mail the damn thing.
Logistically, it’s a simple task. But it can feel very scary.
You don’t want your recipient to say no. Rejection is never any fun. If you’re early in your career, putting yourself out there to risk rejection can feel like the world is about to end. If you have some experience, you might be just plain tired of being told “No thank you.”
Never say never
Except “No” might really mean “Not yet.” It might mean you sent the wrong pictures. Maybe you sent pictures of large work and they need small things.
“No” might mean the potential client you think is a perfect fit might need a little time to get to know you better.
It might just be a matter of time, or you might need to ask a few questions. But you won’t know if you don’t send that package.
And you’ll never know if you don’t follow up.
When you choose to back away from the things you need to do to grow your professional creative practice, you don’t need to worry about someone telling you no.
You do it to yourself instead.
Sticking yourself in the rut
The more you say no the easier it gets. No risk, no rejection, no consequences, no worries.
But there are consequences. No challenge, no growth, no confidence.
Maybe you’ll get lucky and be discovered without ever trying. Maybe that one client will come looking for you—the one who opens up all the doors you never dreamed possible.
And, since we’re going down that road, maybe you’ll spend your spare time perched on a swing in your mother’s backyard singing “Someday My Prince will Come.”
It sounds ridiculous when you see it in black and white, but you know how easy it is to fall into that rut of wishing instead of doing.
Reclaim the space inside your head
What if you stop beating yourself up right now?
What if you decide to be open to the possibility of yes rather than drenching your psyche in dread?
What if you turn every significant contact, positive or negative, into a neutral learning experience? (As in, think carefully about what went right, what didn’t, and whether or not you need to refine anything, as opposed to rolling your eyes as you tell yourself you’re building more character.)
There are times when you should say no. Chronically negative or vindictive people who try to worm their way into your life. The wrong show. The client who is so unreasonable you never want to work with them again.
Obviously, when someone gives you a definitive no, you need to respect that. But you have to respect yourself and your profession, too. There is a point where you have to draw the line, when you have to stop telling yourself no just to avoid hearing it from someone else.
Have your say
Do you give yourself too many “no” messages? Do you avoid promoting your work so you can avoid rejection?

[...] This post was mentioned on Twitter by Dave Charest, Stacey Cornelius. Stacey Cornelius said: Breaking curfew: when you don’t take no for an answer – http://bit.ly/bTUmB1 [...]
Hi Stacey!
Your post really resonated with me! I’m not a visual artist submitting to galleries, but as an entrepreneur and writer I do consider myself a creative person, and I’ve found that cultivating the concept that there is “no bad news” has helped me immensely.
Like you said, it’s a simple concept, but not easy to practice.
Thanks so much, again, for writing this lovely essay to help me remember it. Take wonderful care, Stacey
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Stacey Cornelius Reply:
June 22nd, 2010 at 12:49 pm
“No bad news” – love that. And writers definitely qualify as “creatives” in this neighbourhood.
Practice, of course, is the key–like the old joke about how you get to Carnegie Hall.
Thanks for the comment, and welcome, Stacey!
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It’s so amazing the head games we can play with ourselves, always finding some way to torture ourselves. I love the idea of “neutral learning experiences.” Thanks!
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Stacey Cornelius Reply:
June 22nd, 2010 at 5:35 pm
When something happens, it can be a good thing, a bad thing… or just a thing. Going with neutral helps me sleep at night.
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This is such a great post Stacey. Following up after the “no” is a cardinal rule in grant writing–and yet I at least have to force myself to do it. When I do call I’m always glad I did–great feedback, often validation that there was nothing wrong with the proposal, the timing was just wrong, etc. And yet, every time I pick up the phone to make the call I’m sure this is the time that the grant officer will tell me that she’s never seen such a terrible proposal and that I am an embarrassment to all nonprofit kind.
The brain is a funny, messed up little organ.
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Stacey Cornelius Reply:
June 22nd, 2010 at 5:37 pm
And the follow-ups give you a better chance of staying on someone’s radar for the right time.
We like to give ourselves a steep learning curve, don’t we.
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Yep…sitting on a swing, singing “Someday My Prince Will
Come.” sounds errily familiar…thank g-d the branch broke bringing me back to earth…literally…I might have actually stayed there waiting.
sometimes avoiding rejection actually guarantees it.
“What went right? ” Stacey, excellent question.
…now I’m off to find a swing and see if a little Q & A pushes me in forward…
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Stacey Cornelius Reply:
June 22nd, 2010 at 5:39 pm
Thanks, Dawn. If your neighbour is a Broadway agent, the whole swing-singing thing would be great. But most of us don’t have those kinds of neighbours.
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