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	<title>The Studio Source &#187; mean what you say and say what you mean</title>
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	<description>Creative Marketing Advice for Creatives</description>
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		<title>The free marketing resource you shouldn&#8217;t do without</title>
		<link>http://www.thestudiosource.com/free-marketing-resource-you-need/</link>
		<comments>http://www.thestudiosource.com/free-marketing-resource-you-need/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 11:00:45 +0000</pubDate>
		<dc:creator>Stacey Cornelius</dc:creator>
				<category><![CDATA[Creative writing tips]]></category>
		<category><![CDATA[a dictionary is an underused resource]]></category>
		<category><![CDATA[mean what you say and say what you mean]]></category>

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		<description><![CDATA[Recently I saw some catalogue copy written by an artist. The work in question was described as &#8220;distinctively unique.&#8221; If that didn&#8217;t make you do a double take, go look up &#8220;distinctive&#8221; in a thesaurus. You got it. &#8220;Distinctively distinctive.&#8221; Or if you prefer, &#8220;Uniquely unique.&#8221; Not good. The rest of the copy was effusive. [...]]]></description>
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<p>Recently I saw some catalogue copy written by an artist. The work in question was described as &#8220;distinctively unique.&#8221;</p>
<p>If that didn&#8217;t make you do a double take, go look up &#8220;distinctive&#8221; in a thesaurus.</p>
<p>You got it. &#8220;Distinctively distinctive.&#8221; Or if you prefer, &#8220;Uniquely unique.&#8221;</p>
<p>Not good.<br />
<span id="more-963"></span></p>
<p>The rest of the copy was effusive. At first glance, it seemed to describe the most extraordinary objects you&#8217;d ever see. Unfortunately, it also contained spelling errors, and some words were capitalized that weren&#8217;t proper nouns.</p>
<p>Those kinds of mistakes can hurt your credibility, particularly if you say you pay close attention to detail.</p>
<p><strong>Be clear and accurate</strong><br />
When you write promotional copy, make sure you fully understand the words you&#8217;re using. Otherwise, you can end up with an embarrassing redundancy, or worse, completely misuse a word or phrase. Fluffing your copy is dangerous.</p>
<p>If you&#8217;re not sure of the meaning of a word, use a dictionary, preferably with a thesaurus included. If you don&#8217;t have one somewhere on your computer, they&#8217;re available online for free.</p>
<p>Better yet, quit fluffing.</p>
<p>The work in our example didn&#8217;t live up to its promises. Imagine how a prospective buyer reacts when that happens.</p>
<p><strong>Stick to the facts</strong><br />
Stressing over marketing copy is a common affliction among artists. You feel self-conscious. Catalogue copy is the worst—there&#8217;s usually a word limit, so you want to make a big impact with those few words. You panic and try to pretty it up.</p>
<p>Not only does that waste your valuable catalogue space, but you tell your prospective buyer what to think. Be careful. One person&#8217;s &#8220;cute&#8221; is another&#8217;s curled lip.</p>
<p>You can talk about your earthy palette. Or that your work is deeply textured. Or minimalist. But do you really need to say it&#8217;s beautiful? Will people assume your work is ugly if you don&#8217;t?</p>
<p>And why say you&#8217;re unique? You&#8217;re an artist, not a copy machine.</p>
<p>You don&#8217;t have to have a Pulitzer Prize to write eloquently about your work. Pretend you&#8217;re explaining it to someone wearing a blindfold. If you can&#8217;t let go of &#8220;unique,&#8221; look it up in the dictionary. See if your perception of the word matches its meaning. Switch to a thesaurus to help you find a word that&#8217;s not so overused.</p>
<p>A dictionary is one of the most valuable resources in your marketing toolbox. It can save you a lot of time and writing headaches.</p>
<p><em>Do you have trouble writing about what you do? What are some of the best—or worst—examples of catalogue descriptions you&#8217;ve seen?</em></p>
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