Marketing is the business
of imagination.

The Studio Source helps you build an extraordinary business by focusing on approach—how you show your work, how you connect with your customers, and how you can make great marketing without selling your creative soul.

photo.

Stacey Cornelius
I'm a writer, jargon translator, idea junkie & creative entrepreneur with a Fine Art degree. I have years of professional experience in retail, theatre, fine craft and information technology.  Read More

How to keep your marketing hand in while your creative head is down

April 18, 2011

letterpress
Image by Jennifer Chong

When work comes first
You’re in the thick of it. Working like mad, wading through the creative swamp, wrestling demons, or exploring unknown territory, awash in the thrill of discovery. You need to keep your head down, to see the thing through to the end, wherever it takes you.

Marketing? Who the hell has time for that?

Re-show your favourite work
Depending on who you listen to, the demand to produce new work, updates on your blog or newsletter, is considerable. But we’re not all content machines. (For the record, let it be known that I loathe the word “blog” only a little less than “blogger.” But I digress.)

That kind of schedule just doesn’t work for everyone. And for those of us who try to maintain a regular schedule of showing up, there are times when that just ain’t going to happen, no matter how hard we try.

Posted in: Creative marketing

From paper to linen – marketing wisdom drawn from a napkin

March 25, 2011

What would you draw on a paper napkin?

Where do your ideas begin?
I always look forward to Eric Noguchi’s “You know you’re a designer when…” tweets.  They’re quirky, imaginative, and bang on. Not that I’m a designer, but I definitely identify with the sentiments.

Yesterday’s gem sparked a flurry of Twitter conversation. Why napkins? Eric suggested, tongue in cheek, it’s because napkins are non-threatening and have no expectations.

Designer Gary Holmes then gave us a link to a napkin sketchbook. Nick Hammond wanted sticky notes instead, because you can’t lose them and they don’t tear as easily.

When the stakes are low you can stretch parameters
I decided linen napkins with matching push pins for the cork board would be the ideal thing. I was teasing a little, because Italian food expert Carmelita Caruana was part of the chat. Unsurprisingly, she wouldn’t be inclined to let us use hers, but she liked the idea of framed linen sketches.

Laura Merritt joined in with suggestions of alternative drawing media. Laura does tea stain sketches, among other wonderful things.

As the ideas sped past, I got to thinking: what happens when you switch from paper to linen? How does that affect your creative process? What happens when you need the good napkins, but lose your nerve and grab the paper ones instead?

Indulge the urge to play
As Gary pointed out, big ideas are more important than big budgets. If you’re focused on how much something costs, you can really jam up your creativity. You focus on the wrong thing. You get precious with it.

New ideas need room to flounder, to wander through the clover and play in mud puddles. You need to give yourself permission to go through as many paper napkins as necessary. The beauty of low stakes materials is you can be spontaneous and unselfconscious, like the way you are when you’re kicking around ideas and laughing with your friends, just for the hell of it.

Doodling isn’t just for making art
The same process holds true for your marketing. Don’t get hung up on the price of delivery, or what the final result has to look like, too soon. The ideas come first and your priority is simple: to delight your customer. If you do that, you’re well on your way to creating a memorable experience.

You can choose your tools later.

Or if you’re the type who thinks best with toys in hand, take your favourite one and let your imagination run before you decide to get down to real business.

And while you’re making the transition from play to serious business, remember: great marketing does not have to cost a fortune.

Show your work at its best—make your presentation
Once you’re past the brainstorm stage, have firmed up your ideas and are ready to dig in, you get to fancy it up. You’ve discarded what’s not working (and likely have a nice little stack of new ideas to pursue later from the best of that bunch).

This is the time to get the linen napkins, polish the silver and light the candles. Paper napkins aren’t needed here. You’re not doodling in your favourite coffee shop anymore, you’re ready to present your finished work for real.

Your customer deserves the good linen. So do you.

Why a fragmented audience is good news for independent artists

February 17, 2011

Arcade Fire in Manchester

Image by Man Alive!

The Grammy Awards recognizes indie music in a big way
On February 12, indie music got a big boost when Montreal band Arcade Fire won the Grammy award for Album of the Year. The win was for their their third record, called Suburbs. More than 26 million people tuned into the broadcast, the largest audience in just over a decade.

The other upset of the night was jazz singer Esperanza Spalding’s win for Best New Artist.

Was it an aberration, or a very public sign of the lasting results of the massive change in the recording industry?

I’m hoping it’s the latter.

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